Following on from the Weekes
advertisement for British Toys for British & Belgian Children, I continued to study the rest of the newspaper
(Kent & Sussex Courier, Friday 27 November 1914) to see what else could be found relating to
Tunbridge Wells and its Belgian refugee connection. Music seemed to play a part in building up a
sense of patriotism with general benevolent acts of fundraising toward the war
effort in general being evident. The Tunbridge Wells Opera House, built in
1902, was the centre for all things musical.
Figure 1, Tunbridge Wells Opera House, Photochrom.Co.,Ltd.
London, 1905.
The concert involving Clara Butt and Kennerley
Rumford (her husband, a baritone) was mentioned twice in this edition of the Kent &
Sussex Courier.
Figure 2, Kent & Sussex Courier, Friday 27 November 1914, p.4.
Extracts of interest: ‘The
programme includes items which appeal to our pity and to patriotism…’
Figure 3, Kent & Sussex Courier, Friday 27 November 1914, p.4.
Madame Clara Butt (1872-1936)
would later become a Dame. A renowned contralto singer she was involved with
many concerts raising money for the Red Cross and other charities.
Here is a You tube link to
Madame Clara Butt ‘God shall wipe away all tears.’ https://www.youtube.com/watch?v=v4pDz84Yfng
Figure 4, Kent & Sussex Courier, Friday 27 November 1914, p.5.
Transcript:
‘COURIER’ TOBACCO FUND
We shall be glad to receive
contributions of eighteen-pence for the Special Xmas Boxes to be sent to
soldiers at the Front …’
One of the subscribers was
the Opera House:
‘TWO POUNDS TEN SHILLINGS.
Opera House (per Mr. Harry
Ball) Profits on sale of Fred Elton’s song. ‘Bravo, Little Belgium!’
Here is the text of Elton’s
song:
Bravo! Little Belgium, it’s
proud we are of you
Bravo! Little Belgium, you’d
the pluck to see it through
Hats off to Little Belgium,
You’re a fighting race
sublime!
Your flag is still unfurled
In front of all the world
John Mullen (2011) suggests music hall songs
were for ‘uniting the British [sic] nation and its allies’[2]
Figure 5, The Opera House as
it appears today without the statue of Mercury upon its dome.
So these entries can be interpreted as contributing to the
town’s general feeling of support and friendship towards all war efforts and
refugees by extension of this attitude.
I like to imagine this cherub-like statue from the roof-line
is watching all the 21st Century developments with great interest. I
wonder at all the events and people he has observed over one hundred plus
years.
Figure
6, Dome detail of cherub.
[1] Andre de Vries, Flanders: A Cultural History (New York: Oxford University Press,
2007), p. 17.
[2] John
Mullen, ‘Propaganda and Dissent in British Popular Song during the Great War.’,
Discours autoritaires et r´esistances aux XXe et XXIe si`ecles, Centre
Interlangues, non pagin´e, (2011), p.6. <https://halshs.archives-ouvertes.fr/halshs-00682095/document>[accessed
4 March 2017]
<http://trove.nla.gov.au/work/33213543?selectedversion=NBD27400316>
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